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Grateful Dead Live at Giants Stadium on 1991-06-17


Topics Soundboard


Disc One:
1. Eyes of the World >
2. Walking Blues
3. Brown-Eyed Women
4. When I Paint My Masterpiece
5. Loose Lucy
6. Cassidy >
7. Might As Well

Disc Two:
1. Tuning >
2. Saint of Circumstance >
3. Ship of Fools >
4. Dark Star Tease >
5. Truckin' >
6. New Speedway Boogie >
7. Uncle John's Band >
8. Jam >
9. Drums >

Disc Three:
1. Space >
2. China Doll >
3. Playin' reprise >
4. Sugar Magnolia

Encore:
5. The Weight


Collection GratefulDead
Band/Artist Grateful Dead
Venue Giants Stadium
Location East Rutherford, NJ

Source SBD > DAT > CD-R > .SHN

Notes

First second or two of Eyes is missing
Jeff Tiedrich's Tapes in Circulation webpage lists this as a direct Master SBD DAT > circulation show. Lineage is therefore SBD > DAT > CD-R > .SHN

Reviews

Reviewer: Dan Chapman - - November 29, 2011
Subject: MIGHT AS WELL!!!
that's it-plain and simple. The 1st set closer. If that particular "Might As Well" was put under pressure and asked what song would best exemplify itself, without much pause, it would start jumping around the room and it'd be like "T.N.T. I'm dynamite ...T.N.T. and I'll win the fight ...T.N.T. I'm a power loud ... T.N.T. WATCH ME EXPLODE!!"
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Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes;
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Source: Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
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Source: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100; Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
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Source: Sony D6 Cassette Master>Sennheiser 441 Mics>Sony TC- We 325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac.
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Source: Taper: M. Laurentus; Taper Section: Section H, Row 30, Seat 1; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
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Source: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m)
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Source: Do not remember the mics exception that they had shotgun characteristics > Sony D6 > Maxell MX 90's, located first right hand seat of taper section 12" stand.
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Source: Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240; Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard
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Source: Recorded, Transferred and Mastered by N. Hoey (tagged version) 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK SA-X C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging)